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In response to the first destruction, on 21 October 2015, Creative Commons started the New Palmyra project, an online repository of three-dimensional models representing the city's monuments; the models were generated from images gathered, and released into the public domain, by the Syrian internet advocate Bassel Khartabil between 20.

About the destruction during the second ISIL occupation, Abdulkarim states "This time, they don’t seem to have damaged Palmyra as badly as we feared." and states that "approximately 80% of Palmyra’s antiquities are in fairly good condition and 15% of those more heavily damaged also can and will be restored." Consultations with the UNESCO, UN specialized agencies, archaeological associations and museums produced plans to restore Palmyra; the work is postponed until the violence in Syria ends as many international partners fear for the safety of their teams as well as ensuring that the restored artifacts will not be damaged again by further battles.

Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs.

The Palmyrenes were a mix of Amorites, Arameans, and Arabs.

The king was succeeded by regent Queen Zenobia, who rebelled against Rome and established the Palmyrene Empire.

The culture of Palmyra was influenced by Greco-Roman culture and produced distinctive art and architecture that combined eastern and western traditions.

The general director of the Czech National Museum, Michal Lukeš, signed an agreement in June 2017 committing the institution to help Syria save, preserve and conserve much of its cultural and historical heritage damaged by war, including the ancient site of Palmyra; he met with Abdulkarim and discussed plans for the works that are said to last until 2019.

Italian experts restored the portraits using 3D technology to print resin prosthetics, which were coated with a thick layer of stone dust to blend in with the original stone; the prosthetics were attached to the damaged faces of the busts using strong magnets.

Occasionally and rarely, members of the Palmyrene families took Greek names while ethnic Greeks were few; the majority of people with Greek names, who did not belong to one of the city's families, were freed slaves.

Even the four tribes ceased to be important by the third century as only one inscription mentions a tribe after the year 212; instead, aristocrats played the decisive role in the city's social organization.

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